Most Efficeietn Homemade Ice Pack

theater forms connects dissimilar topics and places them in new contexts. The label was founded by Marina Sahnwaldt 2005/06. The director incorporated her work in political, educational, social and sporting structures and institutions. It creates partnerships that create a conflict, thus opening a space for new perspectives and artistic conflicts. Transgressions of this kind take place in conjunction with changing artists, cultural workers and experts in various subject areas. The goal is to confuse habits to break up rigid patterns of thought and forms of communication to encourage and challenge.

insight into the project SOUND SPORT can be found at the following address:

http://klangsport.blogspot.com/

"In the Beginning" at:

http://ein-erster-schritt.blogspot.com/

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sound sports

A review

for sporting musicians

musical athletes

and a sports hall

The musician John Cage once put the question: "What is musical, a truck which runs on a factory or at a music school over"

In the sound sports are called artists of different disciplines from the background noise, which is the indoor sport is naturally and instinctively to experiment musically.

How is this possible? - A small recipe:

Take the patter of Gymnastikschühchen, to the bouncing of basketballs and squeaking of sneakers on the hall floor, either by breaking from the driving motivation, call the team captains, give a pinch of clacking table tennis balls and hitting hockey stick and to underline this by pushing on wrestling mats and the shrill whistle of a referee. The ingredients of rhythmically arranged musically trained ear is sound sport.

How To Become College Basketball

The first step - young people between school and work

Anna is 18 years old and has taken the first step into the world of work going on. The variety of options slaying. Over 350 occupations to choose from. Who would think there cope? The adults are busy with advice to the side and do the best for a child's. And as Anna has finally decided to go Stress really going on. Cover letter: ten, twenty or even 100? How many there must be, to her, a door is opened?

The career is a hurdle race, which leaves many young people at a loss.

"The first step - young people between school and work" is a film that identifies the problems of young adults entering the job market, formulated ideas and goals, and solutions discussed. Five young people talk about their experiences and difficulties in finding a training place. In contrast are the words of leaders from politics and business. The film understands the speakers do not perform, but rather to give them room and they bring to each other as equals. The politician talks about not so young people, but with him. With many offers identification, this film invites young people, educators and other stakeholders and interested in the dialogue that is started here lead to further.

theatrical forms The label, founded and directed by director Marina Sahnwaldt this film produced in the summer of 2007 with seven young professionals, as part of their school education to design technical assistants at the Adolph Kolping Vocational College Munster, in this film project and contributed to her placement test against a traditional career start a new path.

Example Letter Of Franchise

KNK - Cultural Competency Record

young people today live in a society that places high demands on them. You have to take their lives into their own hands and make the face of social, cultural and economic change over and over again on their own responsibility, be it in dealing with everyday situations in the family, at leisure, at school or in planning a professional perspective .

In order to master their lives responsibly, young people need in addition to education and vocational training skills that have less to do with knowledge, but rather to do with an art form. They need certainty about their own strengths, courage, look at things critically, trust in their own power and the willingness to take responsibility for themselves and others.

These key skills are important for career success, for the development of the personality and the shaping of society. They are not only sold in school or in training. They were acquired in live with the family in dealing with peers, and in everyday life in institutions and projects cultural education.

Given the increasing importance of different forms of learning and learning situations for the skills development of young people it is important not only to demand their increased use, but also to strengthen conditions for an effective and professional implementation and to create. This includes making transparent its effectiveness and the learning achievements of young people in this area officially recognized.
The provision of key skills is a key goal of cultural children's and youth education. Creativity, social interest, responsibility, willingness and self-awareness in dealing with the arts or the working methods of cultural education promoted. Supported so as theater, music and media for children and young people to find their way in the world rightly.

Since 2007 I am expert of KNK. Young people who participate in my projects have to have the opportunity to KNK.

Harold Kumar Guantanamo Bottomless Woman

The last greenhouse










(2004, a project in collaboration with Treacle Theatre, the pump house, Cactus Young Theatre and the jib)

My first collaboration with Kaspar Wimberley was a sensual voyage of discovery by a dilapidated greenhouse, which we after his 40 eventful have raised for years with the theater project one last time to live. At 19, young people and a rooster we can tell, in the fantastic atmosphere of the greenhouse daily absurd characters, stories delicate dreams, desires and morbid paradise plants.

Director: Kaspar Wimberley and Marina Sahnwaldt
stage and costumes: Kaspar Wimberley
It played: 19 young theater enthusiasts

Laura Gemser Movis Fee

youth SCHILLER't


A contribution to the Schiller Year
(2004, co-production with the theater in Muenster and the Schiller Gymnasium)

revolutionize In this paper, the Schiller year 14 students their German lessons. They storm the insult teacher's desk and how did it also Spiegelberg and Karl Moore of the robbers, the pedagogy of their time and making yourself to look for the personality and author Friedrich Schiller. Experience the penalty in the military academy and thus the determined will to freedom. They discover a mysterious room with period costumes and props and set up a "Schiller-island" field. There they found Schiller's plays, poems and ballads, and slip into his characters. A call had come together in Münster two native Swabia. They read the students in front of the camera a scene from "Intrigue and Love" in their .'s And Schiller's idiosyncratic dialect before "

The program

Conceived and directed by Marina Sahnwaldt
stage and costumes: the ensemble
Dramaturgy: Chris Lahmann
musical support: Kai Niggemann
It played: 14 Schiller noses of the Schiller Gymnasium Münster

Facts About Canada In A Acrostic Poem

sounded lemonade


A scenic, musical memory of Erik Satie

(2003/04, Theatre Münster)








tried in my first staging of a classic City Theatre I, all according to my habit little classical forms. My preference Erik Satie, I had an evening with two actors and arrange a pianist known musical works of his lesser-known texts and drawings into a complete picture of this artist.

Director: Marina Sahnwaldt
Set and Costumes: Victoria Seute
It played: Philip Green Mountain and gautam
piano: Liviu Petcu

Fringe Styles With Chelsea

Sprechfuge


by Ernst Toch






(1999, arrangement and staging at the OS Bielefeld)

"The rhythmic voice work was for this performance for a four-part chorus of Chris Brade and Marina Sahnwaldt rearranged. The text base is based solely on repeated lists of geographical indications. With the crescendo of Klangkollage of electronic sounds and noises made from materials such as water, metal, boots, metronomes and voices arranged Marina Sahnwaldt a tense prelude. In the ensuing silence, resounded from a distance, the four voices of the choir, which is slow and dangerous sign of compromise. But before threatening to encounter (the people) is, the light goes off and the voices are drowned out by electronic war sounds "

arrangement and directed. Sahnwaldt Marina
musical arrangements and rehearsals: Christine Brade
It sang and played music-Fellows of the Colleges College Bielefeld