by Ernst Toch
(1999, arrangement and staging at the OS Bielefeld)
"The rhythmic voice work was for this performance for a four-part chorus of Chris Brade and Marina Sahnwaldt rearranged. The text base is based solely on repeated lists of geographical indications. With the crescendo of Klangkollage of electronic sounds and noises made from materials such as water, metal, boots, metronomes and voices arranged Marina Sahnwaldt a tense prelude. In the ensuing silence, resounded from a distance, the four voices of the choir, which is slow and dangerous sign of compromise. But before threatening to encounter (the people) is, the light goes off and the voices are drowned out by electronic war sounds "
arrangement and directed. Sahnwaldt Marina
musical arrangements and rehearsals: Christine Brade
It sang and played music-Fellows of the Colleges College Bielefeld
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