Harold Kumar Guantanamo Bottomless Woman

The last greenhouse










(2004, a project in collaboration with Treacle Theatre, the pump house, Cactus Young Theatre and the jib)

My first collaboration with Kaspar Wimberley was a sensual voyage of discovery by a dilapidated greenhouse, which we after his 40 eventful have raised for years with the theater project one last time to live. At 19, young people and a rooster we can tell, in the fantastic atmosphere of the greenhouse daily absurd characters, stories delicate dreams, desires and morbid paradise plants.

Director: Kaspar Wimberley and Marina Sahnwaldt
stage and costumes: Kaspar Wimberley
It played: 19 young theater enthusiasts

Laura Gemser Movis Fee

youth SCHILLER't


A contribution to the Schiller Year
(2004, co-production with the theater in Muenster and the Schiller Gymnasium)

revolutionize In this paper, the Schiller year 14 students their German lessons. They storm the insult teacher's desk and how did it also Spiegelberg and Karl Moore of the robbers, the pedagogy of their time and making yourself to look for the personality and author Friedrich Schiller. Experience the penalty in the military academy and thus the determined will to freedom. They discover a mysterious room with period costumes and props and set up a "Schiller-island" field. There they found Schiller's plays, poems and ballads, and slip into his characters. A call had come together in Münster two native Swabia. They read the students in front of the camera a scene from "Intrigue and Love" in their .'s And Schiller's idiosyncratic dialect before "

The program

Conceived and directed by Marina Sahnwaldt
stage and costumes: the ensemble
Dramaturgy: Chris Lahmann
musical support: Kai Niggemann
It played: 14 Schiller noses of the Schiller Gymnasium Münster

Facts About Canada In A Acrostic Poem

sounded lemonade


A scenic, musical memory of Erik Satie

(2003/04, Theatre Münster)








tried in my first staging of a classic City Theatre I, all according to my habit little classical forms. My preference Erik Satie, I had an evening with two actors and arrange a pianist known musical works of his lesser-known texts and drawings into a complete picture of this artist.

Director: Marina Sahnwaldt
Set and Costumes: Victoria Seute
It played: Philip Green Mountain and gautam
piano: Liviu Petcu

Fringe Styles With Chelsea

Sprechfuge


by Ernst Toch






(1999, arrangement and staging at the OS Bielefeld)

"The rhythmic voice work was for this performance for a four-part chorus of Chris Brade and Marina Sahnwaldt rearranged. The text base is based solely on repeated lists of geographical indications. With the crescendo of Klangkollage of electronic sounds and noises made from materials such as water, metal, boots, metronomes and voices arranged Marina Sahnwaldt a tense prelude. In the ensuing silence, resounded from a distance, the four voices of the choir, which is slow and dangerous sign of compromise. But before threatening to encounter (the people) is, the light goes off and the voices are drowned out by electronic war sounds "

arrangement and directed. Sahnwaldt Marina
musical arrangements and rehearsals: Christine Brade
It sang and played music-Fellows of the Colleges College Bielefeld